ARCHITECTURE
AND HISTORY OF ROYAL CRESCENT
This is John Wood the Youngers masterpiece, a piece of architecture
unmatched anywhere else in Europe, which formed a fitting climax to the
sequence of architectural ensembles, created by the Woods.
The first house No 1 was built for Thomas Brock, its foundation stone laid
in 1767 and it is from the road of his name that one should approach the
crescent to see the full magnificence when the great sweep of Ionic columns
suddenly become apparent.
Work continued for eight years before all the houses were ready to house
some 30 wealthy families and many appear to have been built for speculative
investment by small groups of associated craftsmen such as plasterer Charles
Cole, John Ford, statuary, plus builders Sampson Parsons and Robert Cummings.
The thirty houses although varying in size and plan, present a uniform frontage
and are arranged around a great lawn to form a semi-elliptical line of building
with a major axis of 538 feet and contain some 114 Ionic columns regularly
spaced, apart from two double pillars which mark almost invisibly the centre.
Despite destruction by enemy action of the interiors of two houses and the
substitution of slates for the original stone tiling plus the removal of
most of the glazing bars, the Royal Crescent remains one of the least changed
of the great Bath buildings.
It has over the years housed many famous residents including the Grand
old Duke of York
Sir Isaac Pitman, known by secretaries around
the world as the inventor of shorthand
Sir Percy Blakeney who
was reputed to be The Scarlet Pimpernel
novelist Christopher Anstey
resided at No 5 and Elizabeth Linley who was Sheridans wife resided
at No 11 plus the most influential critic and historian of his day George
Saintsbury lived until his death in 1933 at No 1A.
Two occupants of No 8 were involved in a duel at dawn using pistols and
swords at Claverton Down after apparently quarrelling over cards, John Baptiste
du Barre died from wounds received by his combat with Count Rice in 1778,
the ivory hilt of the sword now attached to the city seal.
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